The Aris Christofellis Voice Page - Artwork
Sources of the artwork on this site.
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Index page |
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Giovanni Paolo Pannini, Musical Fête, 1747, Oil on canvas, 207 x 247 cm, Musée du Louvre, Paris. |
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Operas |
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Jean-Baptiste-Siméon Chardin, Attributes of Music, 1756, Oil on canvas,
91 x 145 cm, Musée du Louvre, Paris. |
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"When time goes by" |
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Salvador Dali, Remorse or Sphinx Embedded in the Sand, 1931, Oil on canvas, 7.5 x 10.5 inches, Kresge Art Museum, Michigan. Re-worked. |
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Unpublished music |
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Giovanni Paolo Pannini, Roma Antica, c. 1755, Oil on canvas, 186 x 227 cm, Staatsgalerie, Stuttgart. |
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Music in Pictures: "Elégie" |
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Jan van de Capelle, Winter Landscape, 1650s, Oil on wood, Rijksmuseum Twenthe, Enschede. |
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Garden Secrets: "Yellow" |
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Photograph of Marilyn Monroe, re-balanced in yellow. |
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4 Works for Aris Christofellis: "Eros Daemon" Movement 2 |
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Annibale Carracci, Venus with a Satyr and Cupids, c. 1588, Oil on canvas,
112 x142 cm., Galleria degli Uffizi, Florence. |
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4 Works for Aris Christofellis: "Eros Daemon" Movement 2 |
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Alessandro Allori, Venus and Cupid, 16th century, Oil on wood, Musée Fabre, Montpellier |
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4 Works for Aris Christofellis: "Eros Daemon" Movement 1 |
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Annibale Carracci, Venus with a Satyr and Cupids, c. 1588, Oil on canvas,
112 x142 cm., Galleria degli Uffizi, Florence. |
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Clemenza e Rigore - Duetto (Efga') |
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Francesco Botticini, The Three Archangels with Tobias, 1470, Tempera on wood, 135 x 154 cm, Galleria degli Uffizi, Florence. |
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"Dio, Clemenza e Rigore" |
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Jan van Eyck, The Ghent Altarpiece: God Almighty, 1426-27, Oil on wood, Cathedral of St Bavo, Ghent. |
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Les castrats au temps de Mozart: "Al mio ben mi veggio avanti" |
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Francisco de Goya, Self-Portrait, 1798-1800, Indian ink and wash, 6x3 5/8 inches, Metropolitan Museum of Art, New York |
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Les castrats au temps de Mozart: "Ti leggo in volto" |
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François Boucher, Portrait of Marquise de Pompadour, 1756, Oil on canvas, 201 x 157 cm, Alte Pinakothek, Munich. |
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Les castrats au temps de Mozart: "Cara, la dolce fiamma" |
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Jean-Marc Nattier, Portrait of a Young Woman Painter, date unknown (c. 1740-55), Oil on canvas, La Cour d'Or, Musées de Metz, Metz |
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Les castrats au temps de Mozart |
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Jean-Honoré Fragonard, The Confession of Love, 1771, Oil on canvas, 318 x 215 cm, Frick Collection, New York. |
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From distant lands and peoples: Berio - "The desire" |
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Leonardo da Vinci, Female head (La Scapigliata), c. 1508, Oil on panel, 27 x 21 cm, Galleria Nazionale, Parma. |
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From distant lands and peoples: Ravel - "I look out of my window" |
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Karl Brulloff, Italian Woman with a Child by a Window. 1831. Watercolor on paper. The Pushkin Museum of Fine Art, Moscow. |
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From distant lands and peoples: Dvorak: Ach, není tu (There is nothing left)" |
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Pablo Ruiz Picasso, Blue Nude (Seated Nude), 1902, Oil on canvas, 46 x 40 cm, Private Collection, Paris. |
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From distant lands and peoples: Poulenc: "Odjazd" (The departure) |
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Józef Brandt, Husarz, 1890, oil on canvas, 84 x 62 cm., Muzeum Polskie, Rapperswil. |
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From distant lands and peoples: Verstovsky: The bell" |
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Alexey Savrasov, A Winter Road, 1870s, Oil on canvas, The Belorussian Museum of Arts, Minsk, Belarus. |
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From distant lands and peoples: Russian folk-song: The bell" |
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Mikhail Vrubel. Snow Maiden (Sketch for a costume for the Rimsky-Korsakov opera, Snow Maiden), 1890s, Watercolor, gouache on paper, Ryazan Art Museum, Ryazan, Russia. |
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From distant lands and peoples: Sergei Ivanovitch Taneiev: The new moon appeared" |
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Alexey Savrasov, Oaks on River Bank, 1867, Black and lead pencil on tinted paper, The Russian Museum, St. Petersburg, Russia. |
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From distant lands and peoples: Arensky - "Don't turn on the light" |
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Vincent van Gogh, Starry Night Over the Rhone, 1888, Oil on canvas, 92.0cm x 72.0cm,Musée d'Orsay, Paris. |
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From distant lands and peoples... |
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Vincent Van Gogh, Portrait Of Patience Escalier, Alers, August 1880, Oil on Canvas, 69 x 56 cm, Collection Niarchos. |
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Quel usignuolo: "Pallido il sole" |
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John Constable, Old Sarum, 1829. Oil on canvas. Victoria and Albert Museum, London. |
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Bronze bust of Farinelli (The Farinelli Art Gallery) |
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Anonymous, bust of Farinelli, date unknown, Modern bronze cast of the Neoclassical original in plaster (both in museum), Real Academia de Bellas Artes de San Fernando, Madrid |
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Grignion: engraving of Farinelli (The Farinelli Art Gallery) |
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Charles Grignion: portrait of Farinelli, date unknown, engraving from an original by J. Amigoni, Muller Collection, New York Public Library |
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Farinelli in his mid-40s (The Farinelli Art Gallery) |
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Corrado Giaquinto, Ritratto di Carlo Broschi detto Farinelli, c. 1750, Civico Museo Bibliografico Musicale, Bologna. |
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Farinelli in his mid-to-late 40s (The Farinelli Art Gallery) |
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Jacopo Amigoni, A Portrait of Carlo Maria Broschi, called Farinelli, wearing the Cross of the Order of Calatrava, c.1750-52, Oil on canvas, 82 x 61 cm, Museo de la Real Academia de Bellas Artes de San Fernando, Madrid. |
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Farinelli in his mid-to-late 40s (The Farinelli Art Gallery) |
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Jacopo Amigoni, Portrait group: The singer Farinelli and friends, c.1750-52, Oil on canvas, 172.8 x 245.1 cm, National Gallery of Victoria, Australia, Felton Bequest 1950 2226-4. |
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Farinelli in his mid- to late 40s (The Farinelli Art Gallery) |
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Jacopo Amigoni, "The Sopranist Carlo Broschi, called Il Farinelli", c. 1752, Oil on canvas, Staatsgalerie, Stuttgart. |
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Farinelli at 30 (The Farinelli Art Gallery) |
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Joseph Wagner after Jacopo Amigoni, Carlo Broschi, known as Farinelli, 1735, engraving, 29.8 x 21.2 cm., Gift of Robert M. Light, Ackland Fund, 91.102, University of North Carolina. |
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Farinelli at about 30 (The Farinelli Art Gallery) |
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Jacopo Amigoni, Ritratto di Farinelli, 1734-35, Muzeul National de Arta al Romanieri, Bucarest. |
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Probable portrait of Farinelli, possibly in his 20s (The Farinelli Art Gallery) |
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Anonymous, Farinelli in the role of Epitide?, date unknown, Oil on canvas, 103 x 82 cm, Dr. Leo Schofield, Sydney, Australia. |
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Farinelli et son temps "Quel usignuolo" |
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François Boucher, Apollo Revealing his Divinity to the Shepherdess, 1750, Oil on canvas, Musée des Beaux-Arts, Tours. |
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Ottone in Villa - "Gelosia, tu già rendi l'alma mia" |
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John Martin, The Great Day of His Wrath, 1851-53, Oil on canvas, 197 x 303 cm, Tate Gallery, London. |
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Ottone in Villa - "Chi seguir vuol la costanza" |
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Jean-Honoré Fragonard, The Stolen Kiss, 1787-89, Oil on canvas, The Hermitage, St. Petersburg. |
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Ottone in Villa |
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Jean-Honoré Fragonard, The Fountain of Love, 1785, Oil on canvas, 64 x 51 cm, Wallace Collection, London. |
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"Superbo di me stesso" |
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Donato Creti, Mercury and Paris, 1745, Oil on canvas, 272 x 176 cm, Palazzo d'Accursio, Bologna. |
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"Superbo di me stesso": Addio miei sospiri |
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James Ward, Gordale Scar, 1811-13, Oil on canvas, 332 x 421 cm, Tate Gallery, London. |
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Dove in the clefts of the rock: "Man Clothed in Linen": Aria (Konen tsur) |
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Georg Raphael Donner, Adoring Angel, 1733-35, Lead, height 200 cm, Hungarian National Gallery, Budapest. Colour re-balanced photo. |
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Dove in the clefts of the rock: Zemirot (Ps. 13:6) |
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Ketubah, Meshed, Persia, 1889, Hebraic Section, Library of Congress. Photo, re-worked. |
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Dove in the clefts of the rock: Aria (Kol na-neshamah) |
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The Golden Haggadah, illustrated 14th century Hebrew manuscript, The British Library, London. |
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Dove in the clefts of the rock |
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Giovanni Bellini, Angel Announcing, c. 1500, Oil on canvas, Gallerie dell'Accademia, Venice. |
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Giacomo Carissimi: Oratorio di Daniele profeta |
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Pieter Pauwel Rubens, Daniel in the Lion's Den, c. 1615, Oil on canvas, 224.3 x 330.4 cm, National Gallery of Art, Washington. |
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L'Olimpiade |
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Claude-Joseph Vernet, Storm with a Shipwreck, 1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London. |
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Recital: Stephen Foster: "Jeanie with the light brown hair" |
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Pierre-Auguste Renoir, Mlle. Irène Cahen d'Anvers, 1880, Oil on canvas, 65 x 54 cm.,Sammlung E.G. Bührle, Zurich. Re-worked. |
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Recital: Alban Berg: "Die Nachtigall" |
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Dante Gabriel Rossetti, The Roseleaf, 1870, Pencil on paper, Private collection. |
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Recital: Alban Berg: "Schliesse mir die Augen beide" |
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Dante Gabriel Rossetti, Beata Beatrix (Blessed Beatrice), Portrait of his deceased wife, Elizabeth Sidal, c. 1877 - 1882. |
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Recital |
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Aubrey Beardsley, The Black Cape, 1894. Illustration to Salome. |
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L'Âge d'Or des Castrats (2nd version) |
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François Lemoyne, Perseus and Andromeda, 1723, Oil on canvas, 184 x 151 cm, Wallace Collection, London. |
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Hommage à Farinelli |
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François Boucher, Rinaldo and Armida, 1734, Oil on canvas, 135,5 x 170,5 cm, Musée du Louvre, Paris. |
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Hommage à Farinelli: "Pallido il sole" |
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Rembrandt Harmenszoon van Rijn, Stormy Landscape, c. 1638, Oil on wood, 52 x 72 cm, Herzog Anton-Ulrich-Museum, Braunschweig. |
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Music in Shakespeare's time: Rest, Sweet Nymphs |
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Jean Goujon, Nymphs, 1547-49, Marble, Musée du Louvre, Paris |
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Music in Shakespeare's time: When to her lute Corrina sings |
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Orazio Gentileschi, Lute Player, c. 1626, Oil on canvas, 144 x 130 cm, National Gallery of Art, Washington. |
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Music in Shakespeare's time: Never weather-beaten sail |
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Jacopo Bassano, St. Jerome, 1556, Oil on canvas, 119 x 154 cm, Gallerie dell'Accademia, Venice. |
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Music in Shakespeare's time: Greensleeves |
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Domenikos Theotokopoulos (El Greco), El Caballero de la Mano en el Pecho, 1577-84, Oil on canvas, 81 x 66 cm, Museo del Prado, Madrid |
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Music in Shakespeare's time: Si dolce è'l tormento |
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Nicholas Hilliard, A Youth Leaning Against a Tree Among Roses, c.1588, Watercolor on vellum, Victoria and Albert Museum, London. |
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Music in Shakespeare's time |
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Martin Droeshout, copper-engraving, Title-page of the 'First Folio' (1623). |
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Music in Shakespeare's time |
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Frans Hals, Buffoon Playing a Lute, c. 1623, Oil on canvas, 70 x 62 cm, Musée du Louvre, Paris. |
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L'Âge d'Or des Castrats (1st version) |
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Pietro Longhi, The Ridotto, 1740s, Oil on canvas, Raccotta Salon, Venice. |
